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Archetype → Explorer

Rasa → Adbhutam (अद्भुतं): Wonder, amazement. Presiding deity: Brahma. Colour: yellow +

Śṛṅgāraḥ (शृङ्गारः): Romance, Love, attractiveness. Presiding deity: Vishnu. Colour: light green

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Kalu got into his jeep and started the engine. Scanning the night sky for signs of rain through the windshield, he lit the first smoke from a neatly arranged row of rolled joints lining the secret pocket of his wallet—one for every significant stop in the seven-hour drive ahead. After thumbing through the long list of travel playlists on his phone, Kalu settled for one out of instinct more than reason. Cranking up the volume, and tapping the steering wheel in sync to Led Zeppelin, he set off. It was late and he knew the road would be empty, save the wild elephants resembling moving boulders in low light, the occasional long-distance bus, and the packs of boar and deer dashing across to get to the other side. Only those out for desperate things like love and survival were on the road at this hour.


Kalu hadn’t told Jakie that he was driving over to her that night. Jakie lived a few hundred kilometres away, on the east coast of the island, running the seaside guesthouse that she inherited from her parents. Kalu’s family house was near the southern tip of the island, but you couldn’t quite say it was his home because he was barely there. Kalu lived between the two coasts—giving surf lessons in his family village through the southern season and at Jakie’s when the currents moved east—driving between the houses of his folk and his woman. The road became his home. He knew every bend, every tree, where the sambhur lurked, where the leopard liked to prowl and where it was worthwhile to make a stop and dissolve into the view with a smoke in hand.


By the time Kalu reached his last pitstop, it was almost three am. He inhaled the smoke and looked at the Govindahela peak standing singular and sombre over the tropical flatlands—the only thing resolutely unmoving amidst treetops dancing in the night breeze. This peak always reminded him of Jakie—the one person that he remained inexorably attached to, despite the distance, the temper, the other women and the numerous offers to flee abroad to greener pastures.


In the early days of their romance, Kalu had found it impossible to understand why he couldn’t stay away from Jakie. After all, the promise he made to himself—to never get caged to a wife, kids, and a pot of rice—was sincere. But, ever since he set eyes on Jakie sitting alone, sulking over her resort counter all those years ago, he had not been able to ignore her pull. He had left but always returned with the same irrational devotion that the sand held for ocean currents. He liked her unapologetic moodiness in the sunny tourist town where everyone went out of their way to keep things bright, cheery, and good for business. He also liked that his typically-southern and typically-Sinhala family couldn’t quite digest this brooding Burgher beauty. 


But, what he liked the most was that she never followed him. The handful of times that Jakie had travelled with Kalu to his coast, she had complained, cried, fought, and left early, swearing never to return. (But, she did visit for his brother’s wedding and mother's funeral). Outwardly, she seemed his opposite; he—always cruising easy with an open smile, and she—unmoving and impenetrable with eyes brewing seasonless storms. But inwardly, Kalu knew that she was his anchor—the only one who didn’t try to possess but insisted on guarding his freedom from a coast apart.


Kalu arrived at Jakie’s twenty minutes to sunrise. He showered in a guest room so as to not wake her, and came in quietly like a cat. He puffed the leftover roach from his last smoke while watching her long brown hair frame the solemn face and eyebrows furrowing slightly in their unwearying mistrust against the world. As the sun rose, he climbed into bed and felt for her breasts under the sheets. This was an unspoken ritual they had continued for almost twenty years, from the first time Kalu had climbed into Jakie’s bed at dawn, uninvited but welcome nevertheless. ‘Happy anniversary my storm cloud’, he said in her ear.



 

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.



Updated: Aug 30, 2023

We were curious about the potential of AI as a storytelling tool. Interested to find out whether it could save ourselves and our clients money and time without compromising quality, we did a quick experiment. We gave ChatGPT the same brief as our April 2023 monthly story. 

 




What we learned is that ChatGPT is great for saving time when testing out ideas, but not so much for producing final work. It allows you to produce quick renderings of productions and identify which ideas may work better. But, for quality final productions, we think human insight and a more in-depth understanding of the context are more necessary. Right now, this is not what AI can offer. 


Something that surprised us at first was that ChatGPT seemed partial to cheesy endings. It was surprising because even when specific instructions were given to avoid typical endings, ChatGPT always produced a predictable, completely unoriginal ending in every one of the stories that it produced at our prompt. Later, thinking about how ChatGPT works, we realized that this is because the AI’s resource for ideas being collective data, it’s bound to derive from something standard.


But, this is also the strength of AI. It eliminates the need to spend time on the mundane. We found that ChatGPT is great for administrative messaging. ChatGPT can explain, list instructions, and sound impersonal yet perfectly polite. We don’t see the need to write another invoice follow-up email again.



The story brief: write a 500-word short story for the Public Works Publishing monthly stories. It should explore feelings of desire. The protagonist character has an explorer personality. The antagonist is the journey the hero of the story must accomplish to be reunited with his lover. The story takes place between the Sri Lankan surfing seasons on the south and east coasts.





If you are thinking about getting an AI to produce creative work, learning how to give a good brief is essential. We were able to get ChatGPT to produce the kind of story we wanted only after refining the brief again and again. Until our instructions were optimized for ChatGPT , the outcomes were always too far from the expectations. To produce this story—which ChatGPT produced at a remarkable speed once we briefed it right—it took us 1.5 hours of fine tuning the brief. Good briefs have never been more important. 


We found that for more abstract creative briefs—those involving images, for example—ChatGPT seemed to produce quality outputs faster, while more specific ones—like writing—needed more detailed instructions and revisions to the brief. 


Analyzing written productions by ChatGPT we see a marked difference in the depth between lived human experiences and ‘echoes of experience’ learned and re-assembled by AI. There was a more coherent richness to experiences or stories recorded by humans. But, the more ChatGPT and other AI learn to mimic human minds, perhaps this difference will become subtler.

 

We think there’s a lot that AI can do in helping human messaging. Learning how to use ChatGPT to save time in mundane tasks can open up room to put more into what your business specializes in. We think chatGPT can be a great tool for small businesses to scale without necessarily having to hire people for certain administrative tasks. But the chances of it replacing a creative team that can read and interpret the human experience in its real depth are still very slim. But, that’s only for now, and AI is still in its infancy. The potentials of AI and its influence on our lives will only become evident in the next decade. We leave you with a line from one of our favourite Zen stories— “Good, bad, who knows?”


Yes, who knows? And, what an interesting time to be alive.


 

Want to know more about our storytelling process?







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ImageAnand Pathak

Archetype → Lover

Rasa → Śāntam (शान्त): Peace, tranquility. Presiding deity: Vishnu. Colour: perpetual white

Śṛṅgāraḥ (शृङ्गारः): Romance, Love, attractiveness. Presiding deity: Vishnu. Colour: light green

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Kavita sat down in front of her favourite idol in the lotus position. It was a beautiful bronze that she had encountered at a market in Assam; that was two years ago when she had just joined a tantra house there. Kavita still remembered how this exceptional statue stood upon a tacky wooden shelf housing rows and rows of average idols in the dimly lit alleyway; it alone was illuminated by a chance beam of light entering through a hole in the makeshift plastic sheet roof of the street vendor. The statue almost seemed to speak to her; the same way an unforgettable stranger would catch your eye in a crowd and call to everything within you without uttering a word, in a moment suspended in an otherworldly light. Kavita simply walked over, took out all the money from her purse and handed them over in two fistfuls. The dumbstruck idol vendor had followed her transfixed gaze to the statue—a handsome depiction of god Vishnu—and handed it to her with a short prayer. He probably retold this story of Vishnu’s divine grace overwhelming an earthly woman—who didn’t even wait for the change—to all his future customers. Still, after two years, whenever Kavita sat in front of the statue alone, it took her back to this moment of complete surrender, where she would do anything, give anything just to remain in that rapture. She had not parted with the statue since then. Even when disenchantment with the tantra house led her to leave Assam for good, the statue came back to Colombo with her, lovingly cradled between the softest of her clothes. 


Kavita gazed at the beautiful form of the statue and felt a familiar fire erupt between her legs, at the sacral chakra, and travel up to the top of her head in a pleasantly simmering beam. Although, from the obvious iconography, Kavita knew it was meant to be Vishnu, to her it was beyond names and labels of indoctrinated religion. To her, it was simply and profoundly the ultimate reality—the only love. It was, in material form, the very same divine experience of her sexual awakening as a thirteen-year-old trying to not feel what she felt amidst the sound of temple bells, incense smells and her devout parents’ prayers. As an adult, Kavita hoped the tantra house would help her discover how to love the divine in its microcosmic bodies of mortal men and women; but, all her attempts failed. She only wanted the ungraspable —the absolute, the only.


So, she decided to confront the desire. But, it wasn’t easy. Every time she attempted to let her longings come out to the open fields of her mind, an army of voices would attack. Voices of her religious parents would lament warning Kavita of burning in hell fires reserved for sinners who commit the worst of blasphemous acts. Guru Gopal’s voice would ring in her head in its infuriatingly calm demeanour, telling her how this is all a matter of an overactive sacral chakra. 


In the past, when faced with these confrontations, Kavita would retreat her desires to the shadowed areas of her mind that only came alive between night and dawn while her peripheral pieties slept. 


But today, she suddenly realized that the voices were no longer attacking her. Instead, she was naked with her desire out on the vast open field of her mind, alone and waiting, troubled by none. Kavita gazed lovingly at the bronze and felt the sky descend on her with equal tenderness.



 

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.



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