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Updated: Apr 30, 2023


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ImageRon Lach

Archetype → Rebel

Rasa → Hāsyam (हास्यं): Laughter, mirth, comedy. Presiding deity: Shiva. Colour: white, Adbhutam (अद्भुतं): Wonder, amazement. Presiding deity: Brahma. Colour: yellow

Archetype → Rebel

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Leela stopped to catch her breath before shouting again between the bars of the police cell.


“You!”, she shouted, pointing at the back of the police deputy walking away. His shoulders hung from the relief of having just locked in Leela—the loudest woman he had ever encountered—pricked up again at the sound of her voice.


“You’re a dog! A hired dog paid to bark at us people,” she shouted at his back, trying in vain to rattle the heavy bars. But, the bars stood resolute and responseless.


The policeman sat down at his desk and sighed as Leela turned around throwing her fists into the air. ‘Who’s power? People’s power! You can’t shut us down!’ she chanted.


Her shouting echoed around the cell and fell dead. From the adjoining cell, two women sitting on the floor watched her. One woman chewed betel, wore a chītta wrap and a stained T-shirt. The other wore smudged makeup, a long skirt, and a red satin blouse that took on a ghostly glow under the fluorescent light. Watching Leela, both wore expressions of half-hearted contempt. Leela recognised this contempt so well. From her university days—spent mostly in student protests—Leela had seen how, for most people, it was easier to respond to rebellion with a sudden disdain for lawlessness than to join its exhausting current towards upheaval.


Leela considered the two smoldering faces for a second; “You know why governments always make fools out of people? Because people act like goats who only know how to get herded; you sit here chewing away till the jackals come...,”


“Goats?”, snarled the woman chewing betel; the word ‘goat’ seemed to have struck her somewhere particularly sore. An escaped smile twitched Leela’s mouth; she knew that poking where it hurts was the fastest way to get people up and angry.


“Why does ‘Madam’ here get her own cell? Some big insurgency fellow?” the woman in the red blouse asked the policeman, cocking her head at Leela.


“Please be quiet, I’m trying to record this arrest,” said the policeman, his voice strained between concentration, exhaustion, and annoyance.


Leela felt her mouth open automatically in reaction, despite her best efforts to savor the secret pride of being speculated a ‘big insurgency fellow’. “Trying to send me to the Counter Subversive Unit? Dog!” she screamed at the policeman. But he scribbled away, determinedly ignoring the three women.


“Counter Subversive Unit? Damn good!” the betel woman’s voice cut through. “You insurgency-types belong there”.


“I heard there’s a torture chamber in some coconut plantation where you people are being taken to…”, the red-bloused woman said, unable to hide the glee on her face.


Leela seethed at them; “Yes! Goats like you’d rather see me dead than put effort into rising from your slavery. But, you know what? You’ll never see our revolution dead! Victory to people’s liberation!” she shouted, throwing a fist into the air. But, somewhere at the back of Leela’s mind, her husband’s voice echoed; ‘But, do the people you’re trying to liberate really want to be liberated?’


“To hell with your revolution. We have enough problems as it is,” said the red-bloused woman. “Since you got here and started shouting, they’ve even forgotten our dinner. You insurgency people never make it easy for the rest of us you know,” she said.


The policeman picked up the telephone and reminded someone about dinner.


“You don’t see the enemy do you? You don’t see how they make it about your people vs. my people, and keep us at each other's throats while they empty the bank…?” Leela shouted.


A man in khaki shorts walked in whistling; He held a tray of wrapped food and a glass of water in one hand and three carelessly stacked metal plates in the other. The man smilingly placed the tray on the policeman’s desk; He slid the metal plates under the bars without looking at the women and strolled back out, whistling.


“Wonder what’s in the special meal for Sir...” the betel woman remarked pointedly, picking up a plate.


“Not goat feed for sure...” said Leela, wiping food from the bottom of her plate.


The betel woman’s angry retort was cut off the next second when, suddenly, the electricity blacked out. Everything paralyzed into a soundless night.


“Police station being attacked? They cut the power? Apooo! The insurgency people are coming to kill us!” The red-bloused woman started wailing. “Let the thirty-three thousand gods see this! Oh gods I haven’t sinned that much...”


“Quiet! No one is coming to kill us!” the policeman’s voice snapped.


Without the ceiling fan and fluorescent lights driving them away, mosquitoes took over like a hungry choir. Leela heard their humming circling her. Their stings punctured her skin; She swatted one and got food on her forehead. To her side, a curse erupted in the betel woman’s voice with the sound of a metal plate being dropped loudly onto the floor. The startled policeman—who sounded as if he had just knocked over the glass of water—clicked his tongue in annoyance.


“What the hell is this power cut?” asked the betel woman.


No one responded. Even Leela had nothing left to say.


Only a quiet idea floating in the dark seemed to present an answer too uncomfortable to swallow. It settled down amidst them, growing painfully apparent against the dark.




 

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.



Updated: Aug 30, 2023


In 1942, a Sri Lankan soldier named Gratien Fernando was taken to Welikada Prison's death row. His crime was orchestrating a mutiny against the British empire colonising Sri Lanka as Ceylon at the time. Gratien led a group of Sri Lankan soldiers in attempting to arrest their British commanding officer while being stationed at Cocos Islands—a lonely atoll in the Indian Ocean. He was the ringleader of the Cocos Islands Mutiny—an event kept under wraps for as long as possible due to the trouble it could bring to established ideas of authority at the time.


We picked up Gratien’s story in records of the Cocos Island Mutiny, books and digital archives of newspapers and personal records; ‘A man called Ceylon’ by Somasiri Devendra (2020, S. Godage & Brothers, Colombo) was particularly useful. We found Gratien Fernando particularly interesting because he embodied a character archetype that we were studying for one of our monthly stories—the archetype of the rebel. The rebel —also known as the iconoclast—is the archetype that challenges the status quo and heralds in change. In all historic stories of revolutions, this archetype is always encountered as figures causing storms.





For Gratien Fernando, revolt was a response to the racism encountered in his military career. With Cocos Island being under the purview of colonial administration of Ceylon, Sri Lankan soldiers were stationed there with British commanding officers. In his garrison, Gratien Fernando saw men of many colours and ethnicities—Sinhala, Tamil, Burgher and Malay Sri Lankans—pegged to outdo one another in a pecking line arranged, by colonial default, according to the lightness of their skin. Stung by this and with little else at hand, Gratien tried orchestrating a mutiny and failed.


Gratien Fernando and two accomplices were sent back to Sri Lanka for execution. His desperate family tried to negotiate a pardon and asked him to plead for mercy from the empire. “I’ll never ask for a pardon. That would disgrace the cause,” Fernando told his family.




While watching sandbags being piled up for his execution at dawn, Gratien Fernando wrote this poem.


Gratien Fernando was executed, followed by two more Sri Lankan soldiers who were his accomplices. They were the few Commonwealth troops to be executed for mutiny in World War Two. According to the book ‘Cocos Island Mutiny’ by Noel Crusz, “none of them were commemorated by the Commonwealth War Graves Commission, which was not the case when British servicemen were executed”.


Some of his writing—from ‘The Cocos Island Mutiny’ by Noel Crusz quoted in ‘A man called Ceylon’ by Somasiri Devendra—makes us think that Gratien died with the sense of peace held only by a person who stood for what they believed in. “Everything seems right with me. Yet, everything is wrong,” he once wrote.


Cocos Island Mutiny is a fascinating story from Sri Lanka’s history, connecting to themes like racism, colonialism and justice. We find stories like this reveal important contexts that formed the deep cracks between the government and the people of Sri Lanka that are evident even today.


Gratien Fernando is among the many inspirations for our next monthly story built using the character archetype of the rebel. If you haven’t signed up already, subscribe to our monthly stories.



Updated: Apr 30, 2023


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Image → Claudio Schwarz

Archetype → Magician

Rasa → Kāruṇyam (कारुण्यं): Compassion, mercy. Presiding deity: Yama. Colour: grey, Adbhutam (अद्भुतं): Wonder, amazement. Presiding deity: Brahma. Colour: yellow

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Kusum waited patiently for the bus conductor to punch the calculator for her balance; she had already done the mental math. She was used to calculating ahead of everyone in general. The painful hours waiting for the temple committee to figure out that her idea was, in fact, the most efficient… The years lived for her husband to finally comprehend her complex maneuvers to get ahead in life… These had made Kusum grow accustomed to waiting for others to catch up. After the conductor had moved to the next passenger, Kusum opened up her purse and peeked inside out of sheer nerves. Yes, the six-digit cheque was still there, safe.


Money had a strange dimension to it. It freed and weighed you at the same time.


Kusum felt the weight of this money particularly. She had taken it out of temple head monk Gunasāra’s drawer the day his unconscious body was rushed to the hospital. Being the chief donor’s wife, and the temple treasurer, Kusum had borrowed money from the head monk several times. He charged her a minimal interest and she returned the favour by overlooking many discrepancies in the temple accounts. That day too, Kusum had come to ask him for a loan to fund her daughter’s dream to start a hair salon in the city. But, in the calamity of the shaken-up temple rushing Gunasāra to the hospital, Kusum realised that she didn’t have to ask for the money. It was simply there, in Gunasāra's drawer—already stolen, as far as Kusum was concerned.


Throughout the week that followed, Kusum revisited her decision. Each time, she reminded herself how it was for a good reason. After finding her daughter Nimali on the bathroom floor—shaking and crying in hysterics holding chunks of cut-off hair—Kusum found a whole new part of herself awake. It was a part that awoke in every parent, when finding their child kicked in the gut by life, broken, and crownless. Kusum was ready to do anything to help Nimali live her dream—even if it meant finding amounts of money that she couldn’t acquire in the decades spent accounting.


Everything had a good reason. Life always evened out all checks and balances.


As the bus came to a halt, Kusum saw Nimali waiting for her. She asked Kusum a string of questions from what took her so long at the bank, to where they’re heading now. “I got you a place,” Kusum said, while crossing the street at the junction; She thrust her hand out at the careless motorcyclist who almost missed the red light. “A place? For wha...FOR MY SALON?’ Nimali asked, tripping on the sidewalk. Kusum smiled furtively and stopped in front of the crowded city mall. “Where???”, Nimali asked, wide eyes darting around in disbelief. Kusum pointed at the vacant storefront on the city mall’s ground floor. It faced one of the city’s busiest roads. She laughed out loud finding Nimali’s weight swung abruptly around her midriff, as the girl cried uncontrollably. “Come now..,” said Kusum. She tried to tuck what’s left of Nimali’s obliquely cut hair behind an ear, avoiding the stares of passersby. “How did you…?” Nimali asked, looking towards the large space. “Come, we must meet the building manager and put down the lease balance. Did you bring your ID?” asked Kusum, starting to climb up the mall stairs. “But, how?”, Nimali asked, wiping her face. “What are we accountants good for?,” Kusum asked without meeting her daughter’s eyes. “Saving up…?” Nimali asked, half frowning, half smiling.


The hardest part of weaving the bridge between reality and dreams was explaining it.


Kusum didn’t have to answer. Ecstatic, Nimali had flipped around and put her palms against the glass doors, eyes glistening and mouth open. Kusum smiled, seeing her girl crowned again. She basked in it for a moment until that familiar feeling of waiting for the world to catch up started to creep in from the corners. “Come on, let’s lock this lease in,” Kusum said walking inside with Nimali scrambling to keep up behind.




 

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.



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